Hannes Minnaar

Piano

Hannes Minnaar received international acclaim after winning prizes at the Queen Elisabeth Competition (2010, 3rd prize) and the Geneva International Music Competition (2008, 2nd prize) and being awarded a Borletti-Buitoni Trust Fellowship (2011). He studied with Jan Wijn at the Amsterdam Conservatory, graduating with the highest distinction and took master classes with Menahem Pressler, Willem Brons and Ferenc Rados. In addition, he studied organ with Jacques van Oortmerssen.   Minnaa
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r was soloist with various orchestras, including the Royal Concertgebouw Orchestra, during which time he worked with conductors such as Marin Alsop, Jiří Bělohlávek, Herbert Blomstedt, Frans Brüggen, Eliahu Inbal, Edo de Waart and Xian Zhang. He gives recitals in many European countries and around the world. He performed at the Royal Concertgebouw (Amsterdam), Konzerthaus (Berlin), Musashino Hall (Tokyo) and the Great Hall of the Tchaikovsky Conservatory (Moscow) and was invited to the festivals of La Roque d’Anthéron, Bordeaux (Jacobins) and Guangzhou.   Minnaar is also active as a chamber musician. As a member of the Van Baerle Trio he won prizes at competitions in Lyon (2011, CIMCL, 1st prize) and Munich (2013, ARD, 2nd prize). The trio gave 18 concerts in an international tour in the “Rising Stars” series in 2014, including the Barbican (London), Musikverein (Vienna) and Cité de la Musique (Paris). Minnaar also performed with musicians such as Janine Jansen, Isabelle van Keulen and Mischa Maisky.   His three solo albums are highly acclaimed. His debut album was awarded an Edison and Gramophone published a full-page article about this album. The same magazine wrote about his second album “Bach inspirations”: “After Minnaar’s debut disc, this makes two hits in a row”. BBC Music Magazine selected it as “Instrumental choice of the month” with 5 stars.  His third album with piano music of Gabriel Fauré received rave reviews by both national and international press. Gramophone wrote: “Minnaar’s identification with this unique realm of music is complete and his deeply felt interpretations shine with clarity and infinite nuance.” In the autumn of 2016, Hannes Minnaar received the Nederlandse Muziekprijs (Dutch Music Award), the highest honour that can be bestowed by the Dutch Ministry of Education, Culture and Science (OCW) to a musician working in the field of classical music.   Minnaar has just recorded all of Beethoven’s piano concertos for Challenge Classics. Recent and future highlights include Liszt’s Totentanz and a new concerto by Robert Zuidam with the Radio Philharmonic Orchestra under the baton of Markus Stenz, his Spanish debut with Orquestra Simfónica de Barcelona i Nacional de Catalunya and a solo recital in the Meesterpianisten series in the Main Hall of the Concertgebouw.
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News/Quotes

NRC: “Zoals eerder in opnamen van de vijf Beethoven-concerten vormde de pianist ook nu een volmaakte twee-eenheid met dirigent Jan Willem de Vriend. Het operateske karakter van de m More...
Trouw: “Minnaar won, hij zong achter de toetsen en stuwde in het ‘Menuetto’ en ‘Rondo’ Beethovens bevrijdende taal tot grote hoogten - alles met een serieuze ondertoon. [. More...
Gramophone: “The overwhelming quality of this new disc is a quite irresistible freshness: young man’s music, played with an inquisitive spirit, a spring-like clarity and (when nec More...
Luister: “Dit is de start van een uitgavenreeks van alle pianotrio´s van Ludwig van Beethoven door het Van Baerle Trio. Hun eerdere mooie cd´s, met Saint-Saëns, Loevendie en Rav More...

“every single performance by this pianist is out of the top drawer” – Gramophone

“buoyant, joyful and brimming with energy” – The Guardian about the recording of all Piano Concertos of Beethoven (Challenge Records)

“…pianist Minnaar, as it turns out, is a gem of an artist. He understands Fauré’s unusual aesthetic to the hilt; he knows how to balance the cleanliness of his digital articulation with a combination of delicacy and straightforwardness, how to introduce subtle moments of rubato and when not to, and in the end he produces a very satisfying recital of this composer’s piano music.” –  The Art Music Lounge