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Aleksandra  Kurzak
Soprano



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ALEKSANDRA KURZAK, SOPRANO
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 Amenaide in Tancredi
 Theater an der Wien
October 2009
Süddeutsche Zeitung: "stimmlich virtuos"


Title Role in Rossini's Matilde di Shabran
 London, Royal Opera House
October 2008
The Guardian: "staggering"


Rosina in Rossini's Il Barbiere di Siviglia
 Wiener Staatsoper
September 2008
Wiener Zeitung: "mit einer bravourösen Stimmbeherrschung"


Susanna in Le Nozze di Figaro
 Covent Garden
June 2008
Opera: "her strongest impression here"


Blondchen in Die Entführung aus dem Serail
 New York, Metropolitan Opera
April 2008
New York Sun: "surprise hit of the evening … spirited, compelling, and graceful"


Adina in Elisir d’amore
 Royal Opera House-Covent Garden
November 2007
The Observer: “a potential new superstar in sprightly young Polish soprano Aleksandra Kurzak”


Ännchen in Der Freischütz
Salzburger Festspiele
August 2007
Opera: "Aleksandra Kurzak’s Annchen sparkled."


Norina in Don Pasquale
 Teatro Massimo di Palermo
September 2007
La repubblica – Palermo: "una Norina deliziosa per il temperamento, l’aplomb scenico, il fraseggio ora spiritoso ora sensuale ora viperino con cui anima il personaggio."


Minister Fraarte in Radamisto
 Hamburgische Staatsoper
May 2007
Hamburger Morgenpost: "virtuoser Gesang"


soprano in Petite Messe solenelle
 Philharmonie Essen / Alessandro di Marchi
March 2007
WAZ-Essen: "klare Konturen und brillantes Timbre"


Gilda in Rigoletto
Théâtre du Capitole de Toulouse
November 2006
La Dépêche: "Aleksandra Kurzak remporte un succès mérité"


title role La fille du régiment
Hamburgische Staatsoper
June 2006
Orpheus: "Star des Abends war Aleksandra Kurzak"


concert: Mozart arias
 Salzburger Festspiele
August 2006
Salzburger Nachrichten: "Aleksandra Kurzak wurde allen Anforderungen auf fabelhafte Weise gerecht"


Norina in Don Pasquale
Royal Opera House Covent Garden
July 2006
The Observer: "…the discovery of a star in making: the Polish soprano, Aleksandra Kurzak..."
 

The reviews published on this page do not represent the respective artist's agenda but merely a selection of past media response.